《骨頭》Bones

发布时间：2015-12-27 01:22:43 作者：李毓琪

作品阐释

《骨頭》 作为生命体留存最长久的部分，骨头成了生命与死亡的双重隐喻，进而形成了鲜明的审美气质。但这种气质一般与自然死亡相连，因为自然死亡的不断发生促成了人对生命秩序的最基本理解。但是味觉的需要超越生命的需要，使我们制造了更多的骨头，批量宰杀正在使隐喻失效。当半年来所吃剩下的骨头集合在一起，并被摆放好的时候，面前的景象就变成了一种质问。它们给我的生命带来了什么？ 我并不希望这组作品导向素食主义和一种更节制的消费观，而是试图让它成为对自我生命的提醒，使生活回到它应有的重力之中。 Bones As the body parts that remain the longest, bones have become a dual metaphor: life and death. This quality brings bones a distinctive aesthetic value, but it is usually associated with natural death. The rule of natural death makes human beings understand the fundamental order of life. Nevertheless, our needs of the taste are larger than our needs of life. Slaughter makes us produce more bones, and the metaphor has thus come to a failure. When I put together all the bones from the food I have had in past half year, the scene raises a question, “What have they brought to my life?” In this series, I do not intend to advocate vegetarianism or ascetic consumption value. Instead, I attempt to make it a reminder of my own life and bring life back to its proper gravity.

摄影师介绍

李毓琪，1986年生於台灣台北，現工作居住于北京。 2010台北 多鬆咖啡For Yura, Nenad And You攝影個展 2010台中 Mr.Wu art space, Lomo Life攝影聯展 2011台北 MOCA當代藝術館”七張照片建構一天的世界”攝影聯展 2011台北 宣誠藝術中心EPSON“My story”張雍十人聯展 2011台北 華山藝文中心”Geisai”聯展 2011台北 南港自宅電梯24H攝影展 2012台北 MOCA當代藝術館“街大歡囍“聯展 2013台北TIVAC展覽【新．影 台灣潛力新銳攝影聯展】 2014北京 DDC【好奇心攝影聯展】 Yu-Chi Li, 1986 born in Taipei Taiwan, work and live in Beijing now. 2010 Taipei, Morelax ”For Yura, Nenad And You” solo exhibition 2010 Taicgung, Mr.Wu art space, “Lomo Life” photography Joint Exhibition. 2010 Taipei, MOCA ”the big shoot 2010” photography Joint Exhibition. 2011 Taipei, Sincere Art Gallery EPSON“My story” photography Joint Exhibition 2012 Taipei, Huashan1914 ”Geisai Taiwan #3” Joint Exhibition 2011 Taipei, Nangang “self elevator 24H “photography solo exhibition 2012 Taipei, MOCA “Street Fun x Fun Street “Joint Exhibition 2013 Taipei, TIVAC “new star photography artist” Joint Exhibition 2014 Beijing, DDC “Curiosity” Joint Exhibition